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The Symposium on the imprint of Wenceslao Fernández Flórez in the Spanish Cinema will be held in Santiago and A Coruña on 27 and 28 March

The Research Project “Towards a reconsideration of post-war culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark” held an international symposium led by own Principal Investigator, José Luis Castro de Paz, in which

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Several works of the Research Project studies on Wenceslao Fernández Flórez mark in post-war cinema will be presented this week at the 14th Congress of AEHC

Between Thursday and Saturday of this week will be held in Bilbao the 14th International Congress of AEHC, with the title “De Cimientos y Contrafuertes. El papel de los géneros en el Cine Español”. As we had already announced last

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The next Congress of AEHC will have broad participation of the Research Project studies on Wenceslao Fernández Flórez footprint in post-war cinema

At the end of November will be held in Bilbao the 14th International Congress of AEHC focused on the relationship of the concept of gender with the Spanish Cinema, with the title “De Cimientos y Contrafuertes. El papel de los

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The Research Project on the imprint of Wenceslao Fernández Flórez in the post-war Spanish Cinema will organize a symposium next spring

Coinciding with the fiftieth anniversary of Wenceslao Fernández Flórez’s death, at the beginning of the spring of 2014 will be held a symposium on core issues of the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes

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New communications related to the Research Project of the post-war Spanish cinema at the XIV Congreso de Literatura Española Contemporánea

Last June the universities of A Coruña and Santiago de Compostela hosted the XIV Congreso Internacional de Literatura Española Contemporánea, dedicated this time to the social question in literature, film and press. Continuing with the work of diffusion of the

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Several members of the Research Project of the post-war Spanish Cinema will take part this week in IBERCOM 2013

Taking advantage of the dissemination framework of the XIII International Congress IBERCOM “Communication, culture and spheres of power”, held this week at the Faculty of Communication Sciences of the USC, the members of the Working Group of the Research Project

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A communication related to the Research Project on the post-war Spanish cinema was presented at the “XIX Congreso de novela y cine negro” from Salamanca

The researcher Hector Paz Otero, Member of the Working Group of the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”, participated in the “XIX Congreso

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Carried out the first coordination meetings between the members of the different universities involved in the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark”

At the beginning of this year the Research Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark” started with first works dedicated primarily to the design and

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Coming soon: “Modos de representación en el cine español posbélico (1939-1950). Costumbrismo, humor, melancolía y reflexividad o la impronta de Wenceslao Fernández Flórez”, by José Luis Castro de Paz

Soon, it will be published Modos de representación en el cine español posbélico (1939-1950). Costumbrismo, humor, melancolía y reflexividad o la impronta de Wenceslao Fernández Flórez, where José Luis Castro de Paz, main researcher of the project “Hacia una reconsideración

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Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark

The Project “Towards a reconsideration of postwar culture: analysis of the Modes of Representation in Spanish cinema (1939-1962) from Wenceslao Fernández Flórez’s mark” aims to thoroughly explore the Spanish filmography from the period between 1939 and 1962 in order to

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